I had, at this point, never seen my work projected on a really good projector before so this was going to be a real test of the cameras. Rick and Mike wanted to see how well the footage held up on the big screen. They had shot some stuff and weren’t happy with what they were getting. So they converted my edit into an MXF to play through Avid and I sat down to watch the edit. I was nervous. Never having seen my work on a big screen as good as this, but also George Lucas came in to watch and also the legendary sound designer Ben Burtt. My heart was racing. I watched as the edit played and they loved it. My favourite moment was when the star timelapse came on and Ben Burtt said “Hey, now, hang on!!” This was a very quick ungraded draft edit knocked together from a crappy grey day as a test, not supposed to be shown as an example of my work! Then Quentin Tarantino came in as he was due to talk at a screening of “Inglorious Basterds” and George said to Quentin, come see this. Quentin waxed lyrical, calling it Epic and William Wylersesque and was shocked it was shot on a DSLR.
Wow! I would probably would have been #####ing my pants by then. Be sure to read the full account on Philip’s blog here.