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	<title>Comments on: National Geographic photographer David Evans: Haiti Rebuilding</title>
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	<description>HDSLR Filmmking</description>
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		<title>By: David Evans</title>
		<link>http://photocinenews.com/2010/01/28/national-geographic-photographer-david-evans-haiti-rebuilding/comment-page-1/#comment-26</link>
		<dc:creator>David Evans</dc:creator>
		<pubDate>Fri, 29 Jan 2010 18:24:08 +0000</pubDate>
		<guid isPermaLink="false">http://photocinenews.com/?p=816#comment-26</guid>
		<description>Hi Michael, Thanks so much. I&#039;m new to shooting video with my 35 mm camera, but I produce a lot of video these days and I&#039;ve worked as a still photographer on a lot of documentary film shoots, so I had the advantage of directing some really great DPs and tried to channel what I&#039;ve learned from them into this shoot. Then I hired a terrific editor who works on Final Cut Pro, and we slogged it out together over a very long 3-day weekend, writing it as we edited, and making revisions as the client weighed in at key junctures (actually I had two editors working at the same time as there were ultimately 6 versions created for different audiences, messages, and lengths). As for transcoding, there was a flurry of initial technical activity to get the footage files into their edit system since none of us had worked with that video format. I&#039;ll add that info to this comment chain as soon as I hear back from the editors on the particulars. Thanks again.</description>
		<content:encoded><![CDATA[<p>Hi Michael, Thanks so much. I&#8217;m new to shooting video with my 35 mm camera, but I produce a lot of video these days and I&#8217;ve worked as a still photographer on a lot of documentary film shoots, so I had the advantage of directing some really great DPs and tried to channel what I&#8217;ve learned from them into this shoot. Then I hired a terrific editor who works on Final Cut Pro, and we slogged it out together over a very long 3-day weekend, writing it as we edited, and making revisions as the client weighed in at key junctures (actually I had two editors working at the same time as there were ultimately 6 versions created for different audiences, messages, and lengths). As for transcoding, there was a flurry of initial technical activity to get the footage files into their edit system since none of us had worked with that video format. I&#8217;ll add that info to this comment chain as soon as I hear back from the editors on the particulars. Thanks again.</p>
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		<title>By: Michael Britt</title>
		<link>http://photocinenews.com/2010/01/28/national-geographic-photographer-david-evans-haiti-rebuilding/comment-page-1/#comment-25</link>
		<dc:creator>Michael Britt</dc:creator>
		<pubDate>Fri, 29 Jan 2010 15:46:22 +0000</pubDate>
		<guid isPermaLink="false">http://photocinenews.com/?p=816#comment-25</guid>
		<description>Very compelling images and storytelling.  David, I know from speaking to Lou that you are new to shooting motion.  Can you talk a little about how you put this piece together.  Did you use iMovie or a more powerful editing program like Final Cut or Premier?  How did you transcode the files etc...  This was a pretty quick turn around and I am sure a lot of news photographers new to shooting video would like to hear about your experience.</description>
		<content:encoded><![CDATA[<p>Very compelling images and storytelling.  David, I know from speaking to Lou that you are new to shooting motion.  Can you talk a little about how you put this piece together.  Did you use iMovie or a more powerful editing program like Final Cut or Premier?  How did you transcode the files etc&#8230;  This was a pretty quick turn around and I am sure a lot of news photographers new to shooting video would like to hear about your experience.</p>
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